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Interactive devised theatre

Trailblazers,Champions,& Changemakers

An audience does not merely observe history. It enters an interactive gallery of lives and begins a conversation.

Directed byManuel Simons

Trailblazers, Champions, & Changemakers is an environmentally staged theatre work that transforms a performance space into an interactive gallery of people who demonstrated courage, inspired change, and altered what others believed possible.

Across the gallery, audience members encounter changemakers as varied as Marvin Gaye, Gloria Steinem, Maya Angelou, Bob Marley, Dolores Huerta, Claude Cahun, Emily Dickinson, Harriet Tubman, and Harvey Milk—each offering a distinct point of entry into the relationship between individual courage and collective change.

Each ensemble member researches and embodies a real person they admire. Through original writing, physical and vocal transformation, and sustained character development, these figures emerge not as distant monuments but as complex human beings: people who confronted resistance, made consequential choices, and learned how to exercise agency within the conditions of their time.

Who gave you courage—and what might their courage ask of you now?

The audience moves through the environment, choosing whom to meet and which stories to pursue. Intimate monologues open into direct exchange. History becomes immediate, relational, and unpredictable: less a completed record than a conversation between an inherited past and the present-tense responsibilities of those listening.

The project celebrates exemplary lives without flattening them into uncomplicated heroes. It asks how change is actually made—through imagination, persistence, strategic resistance, collective action, and the difficult decision to enter public life when remaining silent would be easier.

02 / THE ENCOUNTER GALLERY

Every person is
a door into history.

CHECK OUT / 01

Choose

Audience members select the figure whose life, work, or unfinished questions call to them.

OPEN / 02

Listen

An original monologue gives the encounter its dramatic center: researched, embodied, and alive.

EXCHANGE / 03

Engage

The boundary between performance and conversation becomes permeable as visitors communicate with each figure.

03 / QUESTIONS IN MOTION

Change begins when admiration becomes inquiry.

01

Courage

What permits a person to act when convention, danger, or power insists upon silence?

02

Agency

How do people recognize their capacity to intervene—and help others recognize theirs?

03

Resistance

Which creative, political, and communal strategies can unsettle established centers of power?

04

Legacy

How does an individual life continue to shape the choices available to those who follow?

04 / THE PROCESS

Research.
Write.
Embody.
Revise.

  1. 01

    Research with rigorGather the language, circumstances, contradictions, and defining choices that shaped a consequential life.

  2. 02

    Write for encounterTransform historical material into a vivid monologue capable of opening both imagination and dialogue.

  3. 03

    Build the personUse acting techniques to develop a specific physical, vocal, psychological, and social presence.

  4. 04

    Think as an ensembleCompose individual stories into a shared environment whose meanings emerge through juxtaposition and audience choice.

HISTORY ENTERS the room—and asks us to respond.

Discuss the project